The House on 92nd Street (1945)
The House on 92nd Street is a 1945 black-and-white American spy film directed by Henry Hathaway. The movie, shot mostly in New York City, was released shortly after the end of World War II. The House on 92nd Street was made with the full cooperation of the Federal Bureau of Investigation (FBI), whose director, J. Edgar Hoover, appears during the introductory montage. The FBI agents shown in Washington, D.C. were played by actual agents. The film’s semidocumentary style inspired other films, including The Naked City and Boomerang.
Director – Henry Hathaway
Writers – Barré Lyndon (screenplay), Charles G. Booth (screenplay), John Monks Jr. (screenplay)
Cast –
William Eythe as Bill Dietrich
Lloyd Nolan as Agent George A. Briggs
Signe Hasso as Elsa Gebhardt
Gene Lockhart as Charles Ogden Roper
Leo G. Carroll as Col. Hammersohn
Lydia St. Clair as Johanna Schmidt
William Post Jr. as Walker
Harry Bellaver as Max Cobura
Bruno Wick as Adolf Lange
Harro Meller as Conrad Arnulf
Charles Wagenheim as Gustav Hausmann
Alfred Linder as Adolf Klein
Renee Carson as Luise Vadja
E.G. Marshall as Attendant at Morgue
Elisabeth Neumann-Viertel as Freda Kassel
Sheila Bromley as Beauty Parlor Customer
Watch “The House on 92nd Street” (1945)
Plot
In 1939, American standout university student, Bill Dietrich, is approached by Nazi recruiters because of his German heritage. He feigns interest, then notifies the FBI. Agent George Briggs encourages Dietrich to play along. Thus, Dietrich travels to Hamburg, Germany, where he undergoes six months of intensive training in espionage. The Germans then send him back to the United States to set up a radio station on Long Island to relay secret information on shipping arrivals, departures, destinations, and cargo. Dietrich is also to act as paymaster to the spies already there and who meet regularly at a house on East 92nd Street in New York City. He is told that only a certain “Mr. Christopher” has the authority to alter the details of his assignment.
Dietrich passes along his microfilmed credentials as a Nazi agent to the FBI. Agents decide to alter his authorized status so that instead of being forbidden to contact most of the agents, he is authorized to meet all of them. The 92nd Street residence is actually a multi-storied building with a dress shop, serving as a front for German agents, on the first floor. His contact is dress designer Elsa Gebhardt. She reacts suspiciously to Dietrich’s high degree of authority. She requests confirmation from Germany, but communication is slow. Thus, she has no choice but to allow Dietrich full access to her spy ring. When questioned, Dietrich’s other legitimate contact, veteran espionage agent Colonel Hammersohn, denies knowing “Mr. Christopher’s” identity.
In a separate development, a German spy is killed in a traffic accident; the FBI finds a secret message among his possessions stating that a “Mr. Christopher” will concentrate on Process 97. Briggs is alarmed because he is aware that Process 97 is America’s most closely guarded secret—the atomic bomb project. And when the Japanese attack Pearl Harbor in December 1941, the United States enters the war. Most of the spies Dietrich has identified are immediately picked up, but the FBI purposely overlooks Gebhardt’s ring and intend to do so until “Mr. Christopher’s” identity is established.
While Gebhardt instructs Dietrich to transmit a key portion of Process 97 immediately to Germany, he notices a cigarette butt in non-smoker Gebhardt’s otherwise empty ashtray. He surreptitiously secures the butt and sends it to the FBI, where agents trace the clue to Luise Vadja, and from her to her supposed boyfriend, Charles Ogden Roper, a scientist working on Process 97. Roper is picked up and questioned. He breaks while under interrogation and confesses to have hidden the last part of Process 97 in a copy of Spencer’s First Principles at a bookstore from where a person believed to be “Mr. Christopher” had been filmed by agents. Briggs then orders the immediate arrest of Gebhardt’s ring.
In the meantime, Gebhardt finally receives a reply from Germany, confirming her suspicions of not only Dietrich’s limited authority but of his true loyalties. She injects him with scopolamine in an attempt to obtain information, but her building is surrounded by government agents. Gebhardt orders her underlings to hold them off while she disguises as a man—the elusive “Mr. Christopher”—and tries to sneak out with the final vital papers on Process 97 that she has just retrieved from the bookstore. Unable to climb down the fire escape, she returns, only to be accidentally shot by one of her own men. The rest are captured, and Dietrich is rescued.